In his piece, Truffaut describes the film as “a cinematic essay, an ambitious experimental work” and claims: “If, by the nature of its ambitions, La Pointe Courte joins the family of films that are outside cinema… it is nonetheless superior to these … This personal tour of past films, blurry photographs , historically repeated images and her own staged memories—all the products of a still wildly dynamic imagination—is a confrontational affront to definitive biography. …
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